Autor: Eduardo Simões
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Rosângela Rennó fala à ARTE!TV sobre o Foto Cine Clube Bandeirante
Em cartaz no Masp, exposição “Do Arquivo à Rede” abriga 279 obras de 85 artistas participantes do FCCB
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Masp recebe mostra do Foto Cine Clube Bandeirante
Com curadoria de Rosângela Rennó, a mostra apresenta 279 obras de 85 artistas
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Associação Paulista de Medicina apresenta mostra de seu acervo
Coleção tem obras de artistas do Grupo Helena e também de contemporâneos
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Francisco Klinger Carvalho expõe no Museu Brasileiro da Escultura
Com curadoria de Ricardo Resende e Karin Stempel, “Do Concreto ao Alegórico” apresenta desenhos e esculturas
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Beyond the riverbanks
In his work “Arrasto” on display at Casa do Bandeirante, Marcelo Moscheta presents the public with the results of his expeditions on the Tietê river, giving a sort of museological dignity to the objects rescued from the river
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Soporific and claustrophobic
Second largest art fair in Europe, second only to Art Basel, Frieze was elegant in terms of appearance and conservative in terms of content in its 2015 edition
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An encounter of rare beauty
Coinciding with the opening of the Fiac fair, galleries invite international artists prominent in France to solo exhibitions
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Condensation and displacement
The works created by Oliveira revisit the dreamlike world of psychoanalysis
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Fair fatigue?
In its 42nd edition, Fiac resists exhaustion caused by the boom of fairs with robust sales, but less public
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The ethics of space
The biennials legitimate themselves through the dialogue with the context in which they take place, as the most recent edition of the Istanbul Biennial
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Lyon reviews the concept of Modern in the light of contemporary problems
Art show curated by north american Ralph Rugoff addresses sensitive issues such as migration
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Count up
In parallel to the Biennial exhibition, Istanbul presents an art show dedicated to ZERO, avant–garde movement created in the 50s, a reacton to the atmosphere of pessimism and stagnation in the arts after World War II
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Bridge to the complex thinking
Istanbul Biennial causes unrest by not complying with the beauty standards of the 20th century
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Trans-formation
ARTE!Brasileiros was founded five years ago with the conviction that art has the ability to be a particular catalyst for the idea that we must regroup the different forms of knowledge in order to seek an understanding of the world
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A ética do espaço
As bienais se legitimam a partir do diálogo com o contexto em que são realizadas, como a mais recente edição da Bienal de Istambul